Go Fly A Kite

This is for the Kite challenge at Three Muses.

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Ball of Confusion

This is for the Written Word challenge at Three Muses.

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I went from thoughts of newspaper clippings to news in general, and pondered how we get over-saturated by bad news these days. I don't have newspapers lying around the house, so I started collecting terrible news headlines online and kept dropping them into layers (after a bit of formatting). Then I spherized them (spell-check doesn't like that word) and laid them over a globe. Then I did some swirly things behind it.

All the while, I had the old Temptations song "Ball of Confusion" running through my head. (You youngsters should look it up in YouTube--great song.) We were pretty pessimistic about the state of the world in those days. People still carry on as if the world is about to end. Did I mention we banned the news channels in our household about a year ago?

Botanical

This is for the Botanical challenge at Take a Word.

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The word botanical makes me think of those detailed drawings of leaves and plants. I was going for a somewhat whimsical look here. I wanted a leaf that still looked like a leaf, but also so you could see what I see when I look closely at a leaf--a little tree.

I picked a leaf and scanned the back of it where all the veins can be seen. Then I did magical things to it using probably five layers where I carefully separated the veins to color them brown and did some fancy footwork with noise and pixel effects to give them texture and a hint of leaves, and added a shadow to give them depth. I gave each tree a cast shadow, that was set at around 45% transparency. There are probably more than twenty layers in my working copy.

I used a photo I took this morning of a large lawn and played around with it to make it look a little more like a painting.

April Come She Will

This is for the April challenge at Inspiration Avenue.

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Yellow Moon on the Rise

This is for the Moon challenge at Take a Word.

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The globes and stones were digitally created and finished up in Photoshop. The moon is from my brush.

Making a Moon Brush

I think Photoshop is one of those programs that even if you have used it for years, there is always something new to learn. I started using Photoshop at the start of the millennium, but it was only last year that I discovered the magic of brushes. My version of Photoshop is the very ancient CS2 for Mac, but I'm sure most everyone can follow along with me.

Brushes are very handy for anything monotone that you use a lot, or for something that repeats on your work. I've created brushes for the moon, trees, stars, shells, pearls, and one I use to trim my clouds. (Yes, you can use brushes with the eraser too.)

So, here's how I did the moon:

First of all, I found a picture of the moon at the NASA site and I trimmed away the black  space and left the background transparent. Then I reversed the image. Since the moon is white against a dark background, this is a necessary step, unless you want your brush to come out as a negative moon. I also lightened it, because the outer space pictures have more contrast than what we see here on earth.

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The next step was to choose define brush preset which is located in the edit menu.

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It will ask you to name the brush, and then the brush is created. It appear with your preset brushes. Now you can stamp away with your new brush. You can make it bigger, smaller, colored, or change the transparency. To toggle the size quickly, use the [ and the ] keys.

There are numerous tutorials on the web that also teach about brushes. Just google away and you will find them.

Seeds of Wisdom

This one is for the Seeds challenge at Inspiration Avenue.

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For this one I created the seeds and the sprouts in Illustrator first. I thought about sprouting some real seeds, but I didn't want to wait that long. The moon is a brush that I created. The cloud is from a photo. The statue is from a very old photo of a statue in an art museum. The yellow flowers were growing in my garden.

Painterly

This is for the Out of Bounds challenge at Three Muses.

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The frames were created in Photoshop. The painting on the right is an old photo that I applied artistic filters too. The wallpaper was created in Adobe Illustrator. I also created the palette in Illustrator and finished it up in Photoshop.

It Looks Like Rain

This is for the Umbrella challenge at Take a Word.

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I took my black umbrella outside to photograph it, but between the crazy wind and the fact that it was partially broken anyhow, I realized I had to make one from scratch. I did so in my trusty old Macromedia Freehand. I should be using Illustrator, but I'm faster in Freehand. The clouds, and scenery are from my photos. The moon is a brush I created, and the rain drops are recycled from a photo I took of a clear marble. Yes, that's my dainty little hand.

Butterflies Are Free

This is for the Butterflies challenge at Sunday Postcard Art.

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Making Mountains

Last summer I created a piece called Paper Mountains Majesty. I thought the making of this one might be fun to share.

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I love mountains, but I live in Florida. I have a few pictures of mountains from my travels, but I only have so many and often I can't find just the right one. So, with that in mind, I began to play and to explore ways to make mountains in Photoshop. The idea hit me that if I crumpled pieces of tissue paper, I could make craggy mountains and color them any way I wanted. I realized that it didn't even matter what color the paper was, because in Photoshop, we have full control of colors and how bright or dull or dark we make them.

I took several pictures of the tissue paper mountains. Below are but a few. It was windy that day. If you look carefully, you can see where I had to set down objects to keep it from blowing away.

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The other items I included were a flat sheet of crumpled paper for the foreground, a photo of some clouds, and some nice juicy strawberries. Note that I set the strawberries on white paper towels so I could trim them easily later.

The trees on the mountains were all created from a brush that I made from a photo of a pine tree. I dotted them throughout the mountains and varied the sizes. One of my favorite keyboard shortcuts for the brush (and also the eraser) is the use of the two bracket keys to toggle it bigger and smaller.

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I added little shadows by all the trees to give them depth.

I wound up with numerous layers for this--more than I am showing below. The snowcaps of the mountains are copies that I bleached out and then trimmed.

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It all sounds like a lot of work, but when you are on a creative roll, you hardly notice.

Up, Up and Away

This is for the Balloons challenge at Three Muses. I'm a little early, but I thought it would take longer to create this piece.

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It all flowed from the squirrel and the balloon. I really wanted a mouse, but I didn't have a picture of a mouse, or a mouse to pose for me. I have a picture of a rat (we had a rat problem in the neighborhood for a while), but a rat would have taken everything in a different direction.

I created the balloons in Adobe Illustrator. The wallpaper, clock, and mirror were also created in Illustrator. The curtains were created in Photoshop using gradients. The rest was patched together from photos, including the squirrel, who was kind enough to pose on the bird feeder. The tabby is my cat Nigel.

A Penny for Your Thoughts

I was playing today. I've developed a recent fascination for wallpaper, which in this picture I created in Adobe Illustrator and imported to Photoshop.

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The mirror was created in Photoshop, when I was playing with the possibility of creating a frame from scratch. The clock is also a digital creation. The rest of the elements are from photos. I had fun with this one. I think I might do more similar pictures.

Always After Me Lucky Charms...

This one is for the Green challenge at Take a Word.

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The shamrocks I used are oxalis, which grows rampantly wild here. (I don't mind because it gets pretty pink flowers.) I read somewhere that shamrocks are a type of oxalis, so shamrocks they be. The hills in the background were actually photographed in Scotland. (Close enough, LOL!) I flattened the highlands a bit and pumped up the green for the Irish effect. I used four separate "shamrock" shots to make sure it didn't look like I was just duplicating the same image over and over again.

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I'm still working on effective ways to make rainbows. This time I made gigantic circle in Illustrator with the whole spectrum as a radial gradient, then exported it to Photoshop and chopped it in half. I think I need to find a tutorial to see if there is an easier way.

NOTE: I've also just submitted this to Sunday Postcard Art.

Along Came a Spider

This is for the challenge at Collage Obsession called Inspired by Fairytales and Children's Literature. I hope nursery rhymes count, as I'm sure this one has been published somewhere in a children's book.

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I had some fun with this. The spider is from my garden, but the original was a bit blurry, so it became a black spider. The curds and whey were a pile of white beans that I mangled until I felt it resembled curds and whey. I created the wallpaper in Macromedia Freehand, because I still have it on my computer and I'm still better with that program than I am with Adobe Illustrator.

Yeah, I'd leave the spider to finish off my bowl. Of course, I don't like cottage cheese anyhow.

Update:

I found a few flaws in the above picture that I couldn't live with, even though I told myself no one else will see them. I could see them! So, here it is again, corrected to my satisfaction. Can you spot the changes?

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Juggling Wineglasses

I thought I would share another how-did-I-do-that with you.

Last summer I created a picture I called Happy Hour. I had just done another piece called Blue Plate Special, and I was still in the mood for blue. I thought it might be fun to have a pair of hands juggling wine glasses.

When I'm taking pictures for a new idea, I take a lot of photos. I don't have a fancy photo studio, and the best lighting I've found at my place is the outside deck. I took several pictures of the blue goblet. Below are just a few.

I found the best way to take its picture was to hold it up in the air with the sky as the background. This makes it easier to remove the background by having less clutter behind it. I tilted it at different angles because I wanted it to look like there were several wineglasses, and I'm always conscious of highlights and shadows. I knew that later I would have to erase the hand from the picture.

I picked out two that I saved and cut them out, but of course there were still remnants of the fingertips. That's okay. there is nothing in Photoshop you can't cure with a little clone stamping and smudging. You do whatever it takes.

I also had other things to gather up. I have an image I created and re-use for my tile floors called checkerboard, a picture I took at the beach, and some shots I took of my hands.

The floor had to be colored (levels work the best to turn black into color), turned 45°, and then given the proper perspective. I've found just using the Perspective transformation in Photoshop gives a bit of a bowling alley effect to it, so solve this by applying  the Perspective transformation, then I squash it in the Scale transformation, and keep going back and forth until it looks right.

I had to do some fixes with the water. The file was small and had to be enlarged. The Golden Rule of graphics is never to enlarge an image, but sometimes with a little trickery and some artistic filters, you can get away with it. I also had to straighten the horizon, which was curved because of the wide-angle shot.

I piled them all up in their own layers, including the shadows and highlights. I didn't do it here (because I'm lazy sometimes), but it's good practice to name each layer. I can easily accumulate up to twenty layers in one scene, and sometimes I start losing track of what they are. Note that each wineglass has its own layer, as well as each hand. That gives me more flexibility to move things about.

So, there you have it--easy as pie!

In A World

This is for the Children challenge at Three Muses.

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I don't currently have any children around the house to pose for me, but I do have albums full of pictures of my kids. This one was taken during the eighties when we were on vacation. It wasn't taken on a beach but just outside the room at the resort we stayed at. They were both coloring and not fighting. I'd always loved it and had intended on making a watercolor painting from it, but never got around to it.

Pollen Nation

This one is for the Rustle of Spring challenge at Three Muses. Down here in Northwest Florida, we have our own signs of Spring. This is the part of Florida that gets a dusting of snow every ten years, and half the trees are deciduous, so we do get a winterish season of sorts. I didn't think showing the live oak trees shedding their leaves for two weeks would express Spring to everyone, and I wasn't sure pictures of Carolina Jasmine would mean much to a lot of folks either. Spring bulbs are universal, and the only ones we can grow here are daffodils. The one thing I think everyone understands about springtime is pollen. If you don't get allergies, you know someone who does. (I don't get allergies, but I know someone who does).

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The "pollen" was created from a plastic spikey zen-ball that I have. It's designed to roll your foot over for a soothing massage. When I looked at it, I was reminded of those microscopic pictures I'd seen of pollen. I only got one daffodil blooming this year--probably because of the recent hot summers and mild winters. I managed to make it look like three.

How It's Done

I'm not brilliant at writing tutorials, but I thought some of you might like it if I showed how I pull my pictures together. The true magic is the magic of Photoshop, and even Photoshop Elements is capable of producing amazing things.

The picture below is one of the pictures they have featured in Somerset Digital Studio.

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The photos I often use are not always brilliant photos. Below are the four I used: A picture of the sea taken with a lesser camera because I never take my Canon Rebel out to sea, my hand holding a spoon of chocolate ice cream in the blazing Florida sun, four chocolate chips (probably Ghirardelli), and a photo of the moon, courtesy of NASA.

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I did this for a mint chocolate chip challenge, and in the middle of the hot Florida summer decided that nothing could be nicer than to be in a sea of mint chocolate chip ice cream. Probably the hardest thing and most time-consuming in doing digital art this way is the trimming. If you are patient, are not in a big hurry, the work is worthwhile. Sloppy trimming looks like sloppy trimming, and while there are shortcuts, you need a sense of when they are a good idea and when they aren't.

The picture of the ice cream was terrible, because it was really hot that day, and the ice cream was melting. In case you were wondering, I ate the ice cream when I was done. It took extra layers to make the ice cream green without turning my arm green.

I took the shadows away when I cut out the chocolate chips, but paid attention to how they fell so that I could create new ones on new layers that I could make transparent. I did a similar thing with the hand--I just tried to imagine what the shadow might look like that the hand and spoon had cast, and made a silhouette of them on another layer and distorted them to make them look like a cast shadow.

I don't even try to take decent shots of the moon, and the folks at NASA have better access to outer space. Government images are never copyrighted, so I can use them guilt-free. I have since then made a brush from the moon, which of course had to be reversed to make it work.

I think I may do more of these if everyone likes them, so please do give some feedback.

Egg Hunt

This is for the Egg challenge at Collage Obsession.

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I wasn't happy with the first version of this one, so I've just fixed and replaced it.

Migration

I did this one for a challenge over at Digital Whisper.

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Wings

This is for the Wings challenge at Take a Word.

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Forever Blowing Bubbles

I was playing in Adobe Illustrator and Photoshop to see if I could create bubbles. I had some fun with this one.

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Time Passages

This is for the From Time to Time challenge at Three Muses.

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I didn't have an interesting clock to photograph, so I had to make one from scratch. I think it worked out okay.

Rust Area

This is for the Curiosity--Rust and Turquoise challenge at So Artful Challenges. I'm not sure what the curiosity is in this picture, but maybe most of my work sparks a bit of curiosity.

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Something to Crow About

This is for the Blackbird challenge at Take a Word. Okay, I do know that a crow is not a blackbird, but it is a black bird--and we do have lots of crows around here.

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Up In the Clouds

This is for the mask challenge at Take a Word.

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Deb Is Getting Published...

I'm pleased to announce that Somerset Digital Studio is publishing an article about my digital work in their Spring issue. It will be available on the newsstands on March 1.

I'm pretty pleased over this. It's great getting recognition over something you have fun doing. I also like seeing my name in print.  :-)

I'll try not to let all this fame go to my head, but just remember--you knew me when... :-D

Castles In The Air

I think I've stayed away from here too long. I've had my little hiatus, and now I am back. This is for the Whirls, Twirls, and Flourishes challenge at Three Muses:

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I'm Still Around

I don't want everyone to think I fell off the planet, but I just got a little (a lot, really) busy in December. I'm getting back into a routine, but I've also started new things. I have a new blog where I am putting other creations onto. (I just started it today.) It's called Deborah's Creative Corner. I hope some of you will visit me there too, to see what I am up to over there.